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equipment rental
equipment rental
equipment rental
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Cameras
16mm Lenses
Sphericals Lenses
Zooms Lenses
Accessories
Cameras
16mm Lenses
Sphericals Lenses
Zooms Lenses
Accessories
Aaton Xterà Super 16 Full Production Kit
The final flagship of Aaton’s Super 16 development - engineered as a next-generation evolution of the XTR Prod and widely regarded alongside cameras such as the ARRI 416.
Designed for feature production and high-end documentary work, the Xterà combines exceptionally stable film transport with near-silent operation and extended variable frame rates from 3–75 fps, enabling both observational shooting and expressive slow-motion work within a fully analogue workflow.
Its original onboard HD video tap, fibre optic viewfinder for precise on-set monitoring and exposure control, while maintaining the mechanical integrity required for contemporary 4K+ scanning.
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The final flagship of Aaton’s Super 16 development - engineered as a next-generation evolution of the XTR Prod and widely regarded alongside cameras such as the ARRI 416.
Designed for feature production and high-end documentary work, the Xterà combines exceptionally stable film transport with near-silent operation and extended variable frame rates from 3–75 fps, enabling both observational shooting and expressive slow-motion work within a fully analogue workflow.
Its original onboard HD video tap, fibre optic viewfinder for precise on-set monitoring and exposure control, while maintaining the mechanical integrity required for contemporary 4K+ scanning.
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The final flagship of Aaton’s Super 16 development - engineered as a next-generation evolution of the XTR Prod and widely regarded alongside cameras such as the ARRI 416.
Designed for feature production and high-end documentary work, the Xterà combines exceptionally stable film transport with near-silent operation and extended variable frame rates from 3–75 fps, enabling both observational shooting and expressive slow-motion work within a fully analogue workflow.
Its original onboard HD video tap, fibre optic viewfinder for precise on-set monitoring and exposure control, while maintaining the mechanical integrity required for contemporary 4K+ scanning.
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ARRI Alexa Mini 4:3 RAW Full Production Kit
A timeless digital cinema camera that has shaped the look of contemporary filmmaking.
An outstanding, enduring classic that helps achieve truly exceptional visual results.
Trusted across feature films, music videos, opera & live performance capture and high-end television for its natural colour science, smooth highlight roll-off and cinematic depth.
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A timeless digital cinema camera that has shaped the look of contemporary filmmaking.
An outstanding, enduring classic that helps achieve truly exceptional visual results.
Trusted across feature films, music videos, opera & live performance capture and high-end television for its natural colour science, smooth highlight roll-off and cinematic depth.
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A timeless digital cinema camera that has shaped the look of contemporary filmmaking.
An outstanding, enduring classic that helps achieve truly exceptional visual results.
Trusted across feature films, music videos, opera & live performance capture and high-end television for its natural colour science, smooth highlight roll-off and cinematic depth.
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Blackmagic Cinema Camera 6K FF (Full Frame) PL Full Production Kit
A full-frame digital cinema camera equipped with a PL mount for professional cine optics.
The Blackmagic Cinema Camera 6K features a large-format sensor with a native resolution of 6048 × 4032 = almost three times larger than Super 35 - allowing for shallow depth of field or the use of anamorphic lenses uncropped for a true cinematic look.
Camera supports both Full Frame and Super 35 shooting modes.
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A full-frame digital cinema camera equipped with a PL mount for professional cine optics.
The Blackmagic Cinema Camera 6K features a large-format sensor with a native resolution of 6048 × 4032 = almost three times larger than Super 35 - allowing for shallow depth of field or the use of anamorphic lenses uncropped for a true cinematic look.
Camera supports both Full Frame and Super 35 shooting modes.
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A full-frame digital cinema camera equipped with a PL mount for professional cine optics.
The Blackmagic Cinema Camera 6K features a large-format sensor with a native resolution of 6048 × 4032 = almost three times larger than Super 35 - allowing for shallow depth of field or the use of anamorphic lenses uncropped for a true cinematic look.
Camera supports both Full Frame and Super 35 shooting modes.
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K-3 PL Super 16 Krasnogorsk-3
A compact and lightweight Super 16 camera, professionally modified with a PL mount for professional & modern cinema optics.
The K-3 offers a fully mechanical shooting experience with stable registration and a spring-wound motor system, allowing you to work independently from onboard power with ease.
Its small form factor and reflex viewfinder make it easy to operate handheld, while the PL conversion enables seamless integration with contemporary cine lenses
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A compact and lightweight Super 16 camera, professionally modified with a PL mount for professional & modern cinema optics.
The K-3 offers a fully mechanical shooting experience with stable registration and a spring-wound motor system, allowing you to work independently from onboard power with ease.
Its small form factor and reflex viewfinder make it easy to operate handheld, while the PL conversion enables seamless integration with contemporary cine lenses
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A compact and lightweight Super 16 camera, professionally modified with a PL mount for professional & modern cinema optics.
The K-3 offers a fully mechanical shooting experience with stable registration and a spring-wound motor system, allowing you to work independently from onboard power with ease.
Its small form factor and reflex viewfinder make it easy to operate handheld, while the PL conversion enables seamless integration with contemporary cine lenses
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Canon 10.6–180mm T2.7 Super 16 PL
A versatile Super 16 cine zoom lens with a fast constant T2.7 aperture and 17× zoom range.
Designed for professional production, the 10.6–180mm offers exceptional optical performance, smooth focus operation and consistent exposure across zoom.Equally well suited for use on 16mm film cameras as well as in Super 16 crop mode on digital systems such as the ARRI Alexa Mini.
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A versatile Super 16 cine zoom lens with a fast constant T2.7 aperture and 17× zoom range.
Designed for professional production, the 10.6–180mm offers exceptional optical performance, smooth focus operation and consistent exposure across zoom.Equally well suited for use on 16mm film cameras as well as in Super 16 crop mode on digital systems such as the ARRI Alexa Mini.
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A versatile Super 16 cine zoom lens with a fast constant T2.7 aperture and 17× zoom range.
Designed for professional production, the 10.6–180mm offers exceptional optical performance, smooth focus operation and consistent exposure across zoom.Equally well suited for use on 16mm film cameras as well as in Super 16 crop mode on digital systems such as the ARRI Alexa Mini.
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Kowa Cinema Products Super Speeds Ultra T Set (9,12.5,25) PL
Rare Super 16 cinema prime lenses originally designed by Kowa for Cinema Products with a fast T stop 1.2-1.3.Wide open, the lenses produce smooth bokeh and allow for effective subject separation even within the Super 16 format.Their distinctive purple and amber coatings create pleasing flare characteristics, adding a subtle vintage texture to highlights.
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Rare Super 16 cinema prime lenses originally designed by Kowa for Cinema Products with a fast T stop 1.2-1.3.Wide open, the lenses produce smooth bokeh and allow for effective subject separation even within the Super 16 format.Their distinctive purple and amber coatings create pleasing flare characteristics, adding a subtle vintage texture to highlights.
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Rare Super 16 cinema prime lenses originally designed by Kowa for Cinema Products with a fast T stop 1.2-1.3.Wide open, the lenses produce smooth bokeh and allow for effective subject separation even within the Super 16 format.Their distinctive purple and amber coatings create pleasing flare characteristics, adding a subtle vintage texture to highlights.
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LOMO 5.9mm T1.8 PL
A Soviet-designed lens originally intended for 16mm film cameras, later adapted to provide Super 16 coverage. It has extremely close focus.
Due to flange depth, this lens does not work with every system. Prior testing is required before rental confirmation, and flange depth may need to be measured for compatibility.
It works reliably with modern digital cinema cameras such as ARRI, RED, Sony, Blackmagic and etc, as well as select 16mm cameras including K-3 and Bolex.
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A Soviet-designed lens originally intended for 16mm film cameras, later adapted to provide Super 16 coverage. It has extremely close focus.
Due to flange depth, this lens does not work with every system. Prior testing is required before rental confirmation, and flange depth may need to be measured for compatibility.
It works reliably with modern digital cinema cameras such as ARRI, RED, Sony, Blackmagic and etc, as well as select 16mm cameras including K-3 and Bolex.
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A Soviet-designed lens originally intended for 16mm film cameras, later adapted to provide Super 16 coverage. It has extremely close focus.
Due to flange depth, this lens does not work with every system. Prior testing is required before rental confirmation, and flange depth may need to be measured for compatibility.
It works reliably with modern digital cinema cameras such as ARRI, RED, Sony, Blackmagic and etc, as well as select 16mm cameras including K-3 and Bolex.
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LOMO 10-100mm (7.5-75) T2.5 PL
Originally designed for Regular 16 format, this lens has since been adapted for use within Super 16 workflows.
It is compatible with all modern digital systems and does not present flange depth issues. However, Super 16 coverage may vary depending on the camera system.
On certain cameras - such as the Aaton Xterà, Krasnogorsk-3, and digital platforms including ARRI and RED in crop mode - the lens provides full Super 16 coverage.
On other systems, full Super 16 coverage may not be achieved.
A compatibility test is therefore required prior to rental confirmation.
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Originally designed for Regular 16 format, this lens has since been adapted for use within Super 16 workflows.
It is compatible with all modern digital systems and does not present flange depth issues. However, Super 16 coverage may vary depending on the camera system.
On certain cameras - such as the Aaton Xterà, Krasnogorsk-3, and digital platforms including ARRI and RED in crop mode - the lens provides full Super 16 coverage.
On other systems, full Super 16 coverage may not be achieved.
A compatibility test is therefore required prior to rental confirmation.
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Originally designed for Regular 16 format, this lens has since been adapted for use within Super 16 workflows.
It is compatible with all modern digital systems and does not present flange depth issues. However, Super 16 coverage may vary depending on the camera system.
On certain cameras - such as the Aaton Xterà, Krasnogorsk-3, and digital platforms including ARRI and RED in crop mode - the lens provides full Super 16 coverage.
On other systems, full Super 16 coverage may not be achieved.
A compatibility test is therefore required prior to rental confirmation.
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Optar Illumina S16 Set (8mm / 9.5mm / 12mm) T1.3 PL
Fast Super 16 cinema prime lenses offering high-performance optical design in a compact form factor.
Their distinctive iris design produces petal-shaped bokeh when stopped down, while modern coatings introduce a controlled flare response with subtle green and magenta tones.
Originally developed specifically for the Super 16 format, these lenses offer clear dual-side focus markings and a balanced image with defined contrast and gentle vintage warmth.
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Fast Super 16 cinema prime lenses offering high-performance optical design in a compact form factor.
Their distinctive iris design produces petal-shaped bokeh when stopped down, while modern coatings introduce a controlled flare response with subtle green and magenta tones.
Originally developed specifically for the Super 16 format, these lenses offer clear dual-side focus markings and a balanced image with defined contrast and gentle vintage warmth.
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Fast Super 16 cinema prime lenses offering high-performance optical design in a compact form factor.
Their distinctive iris design produces petal-shaped bokeh when stopped down, while modern coatings introduce a controlled flare response with subtle green and magenta tones.
Originally developed specifically for the Super 16 format, these lenses offer clear dual-side focus markings and a balanced image with defined contrast and gentle vintage warmth.
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Helios KMZ Set (20/37/58/85/133) PL
A rare cine-modded full-frame lens set manufactured at KMZ in the 1950s, covering LF, Full Frame and Super 35 sensors.
This PL-mount set includes MIR 20mm T3.5, and early editions of MIR-1 37mm T2.8, Helios 44 58mm T2, Helios 85mm T1.5 and Tair-11 133mm T2.8 - optics that awarded the Grand Prix at the Brussels World Fair in 1958.
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A rare cine-modded full-frame lens set manufactured at KMZ in the 1950s, covering LF, Full Frame and Super 35 sensors.
This PL-mount set includes MIR 20mm T3.5, and early editions of MIR-1 37mm T2.8, Helios 44 58mm T2, Helios 85mm T1.5 and Tair-11 133mm T2.8 - optics that awarded the Grand Prix at the Brussels World Fair in 1958.
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A rare cine-modded full-frame lens set manufactured at KMZ in the 1950s, covering LF, Full Frame and Super 35 sensors.
This PL-mount set includes MIR 20mm T3.5, and early editions of MIR-1 37mm T2.8, Helios 44 58mm T2, Helios 85mm T1.5 and Tair-11 133mm T2.8 - optics that awarded the Grand Prix at the Brussels World Fair in 1958.
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Laowa 12mm Zero-D T2.9 PL
An ultra-wide cinema prime lens with close-to-zero distortion, designed for full-frame coverage.
The Laowa 12mm T2.9 delivers a rectilinear image with minimal geometric distortion, making it well suited for architectural, scenographic and spatial compositions where edge integrity is critical.
Supports Full Frame and Super 35 shooting modes.
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An ultra-wide cinema prime lens with close-to-zero distortion, designed for full-frame coverage.
The Laowa 12mm T2.9 delivers a rectilinear image with minimal geometric distortion, making it well suited for architectural, scenographic and spatial compositions where edge integrity is critical.
Supports Full Frame and Super 35 shooting modes.
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An ultra-wide cinema prime lens with close-to-zero distortion, designed for full-frame coverage.
The Laowa 12mm T2.9 delivers a rectilinear image with minimal geometric distortion, making it well suited for architectural, scenographic and spatial compositions where edge integrity is critical.
Supports Full Frame and Super 35 shooting modes.
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LOMO Illumina MK III Set (18,25,35,50,85) PL
High-performance Super 35 cinema lenses with a fast T1.3 aperture across the set, offering a refined balance between sharpness and character.
Designed with professional housing, the Illumina MkIII lenses provide reliable mechanics and consistent optical performance for contemporary production environments.
As a MkIII generation, each lens is LMB-friendly and fully compatible with standard matte box systems.
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High-performance Super 35 cinema lenses with a fast T1.3 aperture across the set, offering a refined balance between sharpness and character.
Designed with professional housing, the Illumina MkIII lenses provide reliable mechanics and consistent optical performance for contemporary production environments.
As a MkIII generation, each lens is LMB-friendly and fully compatible with standard matte box systems.
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High-performance Super 35 cinema lenses with a fast T1.3 aperture across the set, offering a refined balance between sharpness and character.
Designed with professional housing, the Illumina MkIII lenses provide reliable mechanics and consistent optical performance for contemporary production environments.
As a MkIII generation, each lens is LMB-friendly and fully compatible with standard matte box systems.
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Lomo Standard Speed OKC (18,22,28,35,50,75) PL
A set of original Soviet-era cinema primes often regarded as some of the finest glass ever produced for motion picture in the USSR.
These are true cinema optics - not adapted stills lenses - delivering a rare and unmistakable character with organic contrast, smooth fall-off and a timeless vintage rendering.
Extraordinary bokeh and flare.
Their performance remains compelling today, equally suited for analogue capture and contemporary Super 35 digital workflows.
Set includes: 18mm T2.5, 22mm T2.8, 28mm T2.0, 35mm T2.0, 50mm T2.0, 75mm T2.0
All lenses, except the 18mm, are equipped with metal focus gears.
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A set of original Soviet-era cinema primes often regarded as some of the finest glass ever produced for motion picture in the USSR.
These are true cinema optics - not adapted stills lenses - delivering a rare and unmistakable character with organic contrast, smooth fall-off and a timeless vintage rendering.
Extraordinary bokeh and flare.
Their performance remains compelling today, equally suited for analogue capture and contemporary Super 35 digital workflows.
Set includes: 18mm T2.5, 22mm T2.8, 28mm T2.0, 35mm T2.0, 50mm T2.0, 75mm T2.0
All lenses, except the 18mm, are equipped with metal focus gears.
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A set of original Soviet-era cinema primes often regarded as some of the finest glass ever produced for motion picture in the USSR.
These are true cinema optics - not adapted stills lenses - delivering a rare and unmistakable character with organic contrast, smooth fall-off and a timeless vintage rendering.
Extraordinary bokeh and flare.
Their performance remains compelling today, equally suited for analogue capture and contemporary Super 35 digital workflows.
Set includes: 18mm T2.5, 22mm T2.8, 28mm T2.0, 35mm T2.0, 50mm T2.0, 75mm T2.0
All lenses, except the 18mm, are equipped with metal focus gears.
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Peleng 8mm T3.5 PL
An ultra-wide fisheye lens offering a 180° field of view and a highly distinctive spherical image rendering.
Designed for experimental cinematography and stylised spatial compositions, the Peleng produces strong geometric distortion and curved perspective, making it suitable for creative wide-angles.
On the FullFrame gives a pure circle image. All sides are calibrated properly.
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An ultra-wide fisheye lens offering a 180° field of view and a highly distinctive spherical image rendering.
Designed for experimental cinematography and stylised spatial compositions, the Peleng produces strong geometric distortion and curved perspective, making it suitable for creative wide-angles.
On the FullFrame gives a pure circle image. All sides are calibrated properly.
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An ultra-wide fisheye lens offering a 180° field of view and a highly distinctive spherical image rendering.
Designed for experimental cinematography and stylised spatial compositions, the Peleng produces strong geometric distortion and curved perspective, making it suitable for creative wide-angles.
On the FullFrame gives a pure circle image. All sides are calibrated properly.
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Peleng 17mm T2.8 Fisheye PL
A rare diagonal fisheye lens offering a full 180° field of view with rare full-frame coverage and a distinctive curved perspective.
Featuring very soft and unique distortion - less aggressive than the 8mm Peleng - producing a more controlled, academic wide-angle rendering.
Multi-coated optics deliver sharp results from T4, with a softer rendering wide open.
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A rare diagonal fisheye lens offering a full 180° field of view with rare full-frame coverage and a distinctive curved perspective.
Featuring very soft and unique distortion - less aggressive than the 8mm Peleng - producing a more controlled, academic wide-angle rendering.
Multi-coated optics deliver sharp results from T4, with a softer rendering wide open.
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A rare diagonal fisheye lens offering a full 180° field of view with rare full-frame coverage and a distinctive curved perspective.
Featuring very soft and unique distortion - less aggressive than the 8mm Peleng - producing a more controlled, academic wide-angle rendering.
Multi-coated optics deliver sharp results from T4, with a softer rendering wide open.
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Takumar Set (20,35,50,85,135) EF/PL/E
A classic Takumar set featuring Super Multi Coated and Super Takumar optics, known for their clean rendering and balanced vintage character.
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A classic Takumar set featuring Super Multi Coated and Super Takumar optics, known for their clean rendering and balanced vintage character.
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A classic Takumar set featuring Super Multi Coated and Super Takumar optics, known for their clean rendering and balanced vintage character.
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ZEISS Jena Set (20,25,35,50,80,120,135) PL
All lenses are rehoused to PL mount, with focus and aperture de-clicked and calibrated for professional cinema use.
Optics are clean and clear, with each lens equipped with a focus gear.
The set covers LF, FF and all smaller sensor formats.
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All lenses are rehoused to PL mount, with focus and aperture de-clicked and calibrated for professional cinema use.
Optics are clean and clear, with each lens equipped with a focus gear.
The set covers LF, FF and all smaller sensor formats.
Show more
All lenses are rehoused to PL mount, with focus and aperture de-clicked and calibrated for professional cinema use.
Optics are clean and clear, with each lens equipped with a focus gear.
The set covers LF, FF and all smaller sensor formats.
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LOMO Foton 37–140mm T4.3 PL
A compact, Soviet-era cine zoom lens with a versatile 37–140mm focal length range and T4.3(F3.5)Designed for professional 35mm cinema systems, the Foton provides Super 35 coverage and has an outstanding beautiful vintage image. Suitable for any wireless systems such as WCU or Nucleus.
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A compact, Soviet-era cine zoom lens with a versatile 37–140mm focal length range and T4.3(F3.5)Designed for professional 35mm cinema systems, the Foton provides Super 35 coverage and has an outstanding beautiful vintage image. Suitable for any wireless systems such as WCU or Nucleus.
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A compact, Soviet-era cine zoom lens with a versatile 37–140mm focal length range and T4.3(F3.5)Designed for professional 35mm cinema systems, the Foton provides Super 35 coverage and has an outstanding beautiful vintage image. Suitable for any wireless systems such as WCU or Nucleus.
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LOMO Lenar 42–160mm T4.2 PL
A rare and beautifully rendered Soviet-era 35mm cinema zoom lens with a large optical design and a versatile 40–162mm focal length range and T4.2(F3.8).
Originally developed for motion picture production, the Lenar provides full Super 35 coverage and delivers a distinctive vintage image with a naturally low-contrast rendering, smooth tonal roll-off and soft highlight response.
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A rare and beautifully rendered Soviet-era 35mm cinema zoom lens with a large optical design and a versatile 40–162mm focal length range and T4.2(F3.8).
Originally developed for motion picture production, the Lenar provides full Super 35 coverage and delivers a distinctive vintage image with a naturally low-contrast rendering, smooth tonal roll-off and soft highlight response.
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A rare and beautifully rendered Soviet-era 35mm cinema zoom lens with a large optical design and a versatile 40–162mm focal length range and T4.2(F3.8).
Originally developed for motion picture production, the Lenar provides full Super 35 coverage and delivers a distinctive vintage image with a naturally low-contrast rendering, smooth tonal roll-off and soft highlight response.
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Tokina 11-16 T2.8 PL
A compact ultra-wide zoom lens rehoused for professional cinema use with improved mechanical precision.
Offering consistent T2.8 performance across the zoom range, the Tokina 11–16mm provides Super 35 coverage and is well suited for handheld, gimbal and wide-angle digital production workflows. Must have on cramped locations.
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A compact ultra-wide zoom lens rehoused for professional cinema use with improved mechanical precision.
Offering consistent T2.8 performance across the zoom range, the Tokina 11–16mm provides Super 35 coverage and is well suited for handheld, gimbal and wide-angle digital production workflows. Must have on cramped locations.
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A compact ultra-wide zoom lens rehoused for professional cinema use with improved mechanical precision.
Offering consistent T2.8 performance across the zoom range, the Tokina 11–16mm provides Super 35 coverage and is well suited for handheld, gimbal and wide-angle digital production workflows. Must have on cramped locations.
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Meike PL - E adapter with Variable ND filter
Allows you to use any PL lenses from our beautiful collection on your E-mount camera. There is an option with built-in Variable ND and with clear glass :)
Allows you to use any PL lenses from our beautiful collection on your E-mount camera. There is an option with built-in Variable ND and with clear glass :)
Sachtler V20P
A legendary fluid head with a payload range of approx. 2–23 kg, paired with carbon fibre legs for a lightweight yet stable setup.Suitable for a wide range of cameras such as Alexa Mini, Aaton Xtera, ARRI SR3 and similar systems.
A legendary fluid head with a payload range of approx. 2–23 kg, paired with carbon fibre legs for a lightweight yet stable setup.Suitable for a wide range of cameras such as Alexa Mini, Aaton Xtera, ARRI SR3 and similar systems.
SmallHD 702 Bright
A 7-inch Full HD high-brightness monitor suitable for use as an onboard camera monitor, playback monitor, director’s monitor or client monitor on set.
A 7-inch Full HD high-brightness monitor suitable for use as an onboard camera monitor, playback monitor, director’s monitor or client monitor on set.
